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Bela has a friend nobody else can see. That's the problem.
Eight-year-old Bela lives with her parents, Mommy and Daddo, in a house that used to feel ordinary. Then a presence starts showing up, someone Bela calls Other Mommy, who visits at night and asks a single, strange question again and again: can she come live inside Bela's heart? At first it feels almost like a game, the kind of thing a child might invent and half believe.
But the visits do not stop, and they do not stay contained to Bela's room. Small, unsettling incidents start happening around the house, things moved, things broken, things that no one in the family can quite explain away. Bela's parents, already strained before any of this started, begin pulling in different directions about what is actually happening to their daughter.
Told entirely through Bela's eyes, the story never gives the reader more information than an eight-year-old would have, which makes every small detail feel like it could be the one that finally explains what Other Mommy really wants, and what happens if she gets it.

Child narrators are a gamble in horror. Get the voice wrong and the whole book collapses into something unintentionally silly. Josh Malerman does not get it wrong, and neither does the audiobook built around it.
Bela's logic stays consistently childlike throughout, which is exactly what makes this book unsettling rather than simply strange. She misreads adult conversations, misunderstands what her parents are actually fighting about, and takes Other Mommy's presence at face value long after any adult reader would be sounding every alarm available. That gap between what Bela understands and what the reader can piece together is where most of the dread lives.
The parents, Ursula and Russ, are handling their own unraveling marriage alongside whatever is happening to their daughter, and Malerman lets those two crises bleed into each other in a way that feels honest rather than convenient. Neither adult is particularly likable, which oddly makes their inability to protect Bela more believable.
Other Mommy herself is rationed out carefully. Malerman resists the urge to over-explain what she is or where she comes from, and that restraint keeps the entity genuinely frightening well past the book's midpoint.
The final stretch, when the household's cracks finally give way entirely, earns its ending without over-explaining what has happened, and that ambiguity has stuck with me since I finished it.
On the narration: Delanie Nicole Gill, in her audiobook debut, gives Bela a voice that sounds genuinely like a child rather than an adult performing childlike inflection, which is a harder trick than it sounds. Her delivery leans into Bela's small, matter-of-fact observations rather than pushing them toward melodrama, and that restraint is exactly what makes the scarier moments land. It is easy to see why the novel earned a Bram Stoker Award nomination and is now headed to the screen as the film Other Mommy, starring Jessica Chastain.
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Incidents Around the House by Josh Malerman is an immersive listen told through the eyes of eight-year-old Bela, whose family is slowly pulled apart by the presence of a being she calls Other Mommy, who keeps asking to be let into her heart.
Take advantage of the free trial, cancellable at any time, and let Delanie Nicole Gill guide you through all 8 h 24 min of this haunting. Her narration stays fully inside Bela's childlike perspective, which keeps the dread building quietly rather than announcing itself.
The audiobook remains yours forever, even after the trial ends. The free trial also gives you access to thousands of other titles, with no commitment. Start listening now.
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