
Kaelin Bennett runs the technology side of a military contractor called Phox. Graham Wolfe is a veteran who has mostly stopped. They come down in wilderness, cuffed to one another, and the first stretch of the book is two competent people working out how to stay alive and how much to tell each other.
That is not what the book is about. What is in the forest turns out to be organised, and Kaelin's expertise is the reason she was on that flight at all. From there it becomes a captivity story, and Devyn Rivers takes it into trafficking, torture and prolonged sexual violence, shown directly and at length.
It is dark romance in the why choose shape, first of a series, nine hours and twelve minutes shared between Andi Eloise and James Cassidy. It has found a large audience: better than twelve thousand ratings, averaging just above four. It has also been abandoned partway through by a great many people, and both of those facts are the useful ones.

Check the content warnings before you start this one, and take them literally. That advice comes from the audience rather than from me: it is the single most repeated sentence in the reviews, from people who liked the book as much as from people who could not finish it. What follows is what is actually in it, so you can decide with the information in hand.
The list, plainly. Sex trafficking. Repeated sexual assault, shown rather than implied, and not briefly. Torture, captivity and violence. Psychological manipulation. Suicidal ideation. Explicit content throughout, including non consent as a recurring element rather than a single scene. Reviewers who have counted put the assaults at five or six. This is not a book with a difficult chapter in it, it is a book built out of that material, and no amount of easing in happens.
The objection that comes up most among the people who disliked it is structural rather than squeamish, and you should hear it before deciding. Kaelin ends the book attached to Kraven, who is her principal abuser during it, and the recovery from everything that happened to her is compressed into time jumps rather than played out. Critics call that exploitative and say the trauma is used for intensity and then waved away. That is a fair description of what happens, and whether it is a flaw or the genre working as intended is exactly where the audience splits.
The other half of the split is just as real. Twelve and a half thousand ratings at 4.08 is a serious number for an independent title, and the praise is consistent: the plotting is tight, the tension does not let up, and more than one reviewer described the writing as immersive enough to feel present in the room. People who read dark romance for the extremity found what they came for, and they were not misled about it by the cover or the title.
Andi Eloise and James Cassidy split it between the two leads, which is the right call for a book that lives in two heads. On material this heavy, having a voice in your ear rather than words on a screen makes everything land harder, and that cuts both ways depending on why you are here. If you want the darker end of the shelf with more control in the writing, Devil by Sierra Simone is the better crafted comparison, and The Cannibal goes to a similar temperature by a different route.
Red Rabbit: You Shatter So Beautifully, by Devyn Rivers starts with Kaelin Bennett and Graham Wolfe coming down in wilderness handcuffed together, and turns into something considerably worse once they work out who is looking for them. The first of the Red Rabbit books.
Content note before anything else: this contains sex trafficking, repeated sexual assault shown directly, torture and non consent as recurring elements. Read the full warnings before you start. It runs 9 hours and 12 minutes, read by Andi Eloise and James Cassidy.
You can start it on a free trial, cancellable whenever you like, and the book stays yours after you cancel. The trial opens the rest of the catalogue too, which matters here: if this turns out not to be for you, there is somewhere else to go.