
The Iliad and the Odyssey are two poems out of eight. Six were lost.
27 July 2026
Just for the Plot (Bay Area Players, Book 2), by Meghan Quinn | Free Audiobook
28 July 2026Audiobook details
A captive with nowhere left to run
Nylah never asked to be found. For years she stayed small, stayed careful, stayed exactly where no one would look twice. Jeremy found her anyway. He has been patient about it, which is somehow worse than if he hadn't been. Now that patience is over, and what he wants from her, what he has always wanted, is finally within reach.
Being taken is not the ending Nylah expected for herself, and being kept is stranger still. Jeremy doesn't ask permission and doesn't apologize for what he is. He simply decides, and Nylah has to figure out how to survive a man who has already decided everything about her future. The line between fear and something else starts to blur faster than she wants to admit.
This is the final chapter of the Bleeding Hearts series, and it closes the story the only way it could: without mercy for anyone involved, least of all the two people at its center. Old wounds resurface, older loyalties get tested, and Nylah has to choose what she is willing to become in order to keep what little control she has left.

I went into Mercy already knowing the Bleeding Hearts series doesn't do soft landings, and this last book still managed to surprise me with how far it was willing to go. Dylan Page closes out Nylah and Jeremy's story with the same unflinching tone that made the earlier books hard to put down, and hard to listen to at times, in the best way.
What struck me most is how little Jeremy tries to justify himself. He wants Nylah, he takes her, and the book doesn't dress that up as romance in the traditional sense. It's uncomfortable by design. Page leans into that discomfort instead of softening it for a wider audience, and readers who've followed this series already know that's exactly the point.
Nylah gets more interior space than I expected. She's not a passive presence waiting to be rescued. Her small acts of resistance, and the moments where she stops resisting, carry real weight because Page lets both sides exist without picking one as the correct reaction. That tension is what kept me listening past the point where I told myself I'd take a break.
As a series closer, it does what it needs to do. Loose threads from Torment and Ashes get pulled tight, and the ending lands with a finality that feels earned rather than rushed. Readers who've stuck with Shay and Mina's story will recognize the echoes here, even as Jeremy and Nylah's dynamic stays distinct from theirs.
The multicast narration is where this audiobook really separates itself from reading the book on the page. Audrey Obeyn gives Nylah a controlled, watchful quality that shifts in small, believable increments as the story wears her down, while the male narrators split the darker perspectives with enough range that I never lost track of who was speaking. Ten hours moved fast, and the cast made scenes that could have felt repetitive on paper hit with fresh intensity in audio.
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Mercy by Dylan Page closes out the Bleeding Hearts series with a captive romance built on obsession rather than rescue. Nylah has spent years staying invisible, and Jeremy has spent just as long deciding that wouldn't last. Their story picks up right where the tension left off, without slowing down to explain itself.
Take advantage of the free trial, cancellable at any time, and let Audrey Obeyn, Jeffrey Holz, Ryan West and Teddy Hamilton carry all ten hours of this final book through their multicast performance. Each narrator holds a distinct perspective, which keeps the shifting points of view sharp instead of blurring together.
The audiobook remains yours forever, even after the trial ends. The same free trial also unlocks thousands of other titles, with no commitment required. Start listening now and find out how this series really ends.
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